![]() ![]() Furthermore, a German international company, Munich Re, also employs this font. There is a wide range of multi-national companies where this font was featured, among which the notable one is Apple Inc. A Toronto subway Station also got their hands on this highly endorsed typeface. Later, a notable Germany Airport, Frankfurt am Main Airport, also didn’t remain behind and used this font. For many years the modified version of this font was being used on their Logo, and it was enough to get everyone’s attention. Let’s talk about a popular Swiss international airline using Futura font unless the Universe font emerges. Let’s follow up on a few important places where this font endured as a focus of attention. Many big and small level industries and corporations couldn’t resist using this font in their logos. ![]() The 1960s and 1970s remained a year of the Universe font when its popularity was at the peak. Instantly after the release of Universe font, people started noticing it and applying it in their designs, so, within no time, it gained a gigantic response. Now comes the point where this font has been used in all the past years and from which platform it gained massive response and became one of the highly adored fonts. It has different versions and styles, including Condensed, Bold, Italic, etc. If we talk about its selling ranking, it stands at the number 9 position, and in spite of being delivered many decades ago, people prefer to use this font in their designs to make it captivating. Other versions include Bitstream’s Zurich (1990), URW Classic Sans, SIL Sophia, and Monotype’s Utah.įrutiger’s Glypha and Serifa can be regarded as slab-serif companions.Every notable designer has applied and tested this font for different platforms and surely has a better experience, which they described in one way or another. Greek and Cyrillic, with Arabic and Typewriter extensions. Revised in 1997 as Linotype Univers and renamed to Univers Next in 2010, incl. Cyrillics by Alexei Chekulayev were added in 2010. The official digital version is by Linotype (first produced by Adobe in 1987). for dry-transfer lettering by Letraset (1963) and Mecanorma and for IBM’s Selectric typewriter (1964). Monophoto (1961), Compugraphic (1967), Mergenthaler Linotype (1969), Berthold et al. ![]() Some styles also by Gujarati Numerous adaptations most notably for machine composition by Monotype (1961), but also Ludlow, Matrotype, Neotype, Mergenthaler Linotype (1974) for photo composition incl. Released for the Lumitype-Photon in 1957 and as foundry type in 1958. The various styles are numbered, with the first digit designating the weight from light to bold (3–8) and the second the width from wide to narrow (3–9), with even numbers used for italics. Greek and Cyrillic, with Arabicĭesigned by Adrian Frutiger at Deberny & Peignot as a coordinated family. Revised in 1997 as Linotype Univers and renamed to The official digital version is by Linotype (first produced byĪdobe in 1987). forĭry-transfer lettering by Letraset (1963) and Mecanorma and for (1967), Mergenthaler Linotype (1969), Berthold et al. (1961), but also Ludlow, Matrotype, Neotype, Mergenthaler Linotype Some styles also by Gujarati NumerousĪdaptations most notably for machine composition by Monotype Also cast by Ludwig & Mayer (1970), Haas (1971), and Stempel Released for the Lumitype-Photon in 1957Īnd as foundry type in 1958. (3–8) and the second the width from wide to narrow (3–9), with even With the first digit designating the weight from light to bold Try a search!ĭesigned by Adrian Frutiger at Deberny & Peignot as aĬoordinated family. These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (43).
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